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W.E.B. Du Bois: REBEL WITH A CAUSE ~What This Documentary Demands of Us Now

Is a Living Reckoning, Not a Distant Memory – Sold-out Chicago screening becomes a moral summons for our time

W.E.B. DuBois Film Screening Panel Wide Shot of Stage Partial Audience Phot By Dr. Tracey Bond Splash Magazine Worldwide
From left to right: Aldon Morris, Professor Emeritus, Northwestern University; Rita Coburn, Peabody Award–winning director (Maya Angelou: And Still I Rise); Gerald Griffin, artist and owner of the Gerald Griffin Gallery; and Regina Taylor, actor, playwright, and Black Perspectives co-chair; Jeffrey DuBois Peck, DuBois’ great-grandson (special guest) enters (stage right) for film honor remarks, on behalf of the DuBois family at the podium during the post-screening discussion at the Gene Siskel Film Center in Chicago. Photo by Dr. Tracey Bond | Splash Magazines Worldwide

The auditorium did not feel like a documentary screening.

It felt like a reckoning.

At the Gene Siskel Film Center, a sold-out audience gathered not merely to watch W.E.B. Du Bois: REBEL WITH A CAUSE, but to confront the enduring weight of a man whose intellectual force continues to interrogate the present. Directed by Peabody Award–winning filmmaker Rita Coburn (Maya Angelou: And Still I Rise), the documentary resists passive viewing. It demands engagement.

This was not a panel designed to soften the material. It sharpened it.

Each voice engaged Du Bois not as a historical subject, but as an active intellectual force whose work remains unfinished in the present tense.

Rita Coburn, Peabody Award–winning Director, addresses the audience during the panel discussion following the screening of W.E.B. Du Bois: REBEL WITH A CAUSE
Rita Coburn, Peabody Award–winning Director, addresses the audience during the panel discussion following the screening of W.E.B. Du Bois: REBEL WITH A CAUSE
Photo by Dr. Tracey Bond | Splash Magazines Worldwide

A Panel That Extended the Work

And the room responded accordingly—pin-drop quiet, focused, and fully aware that this was not history being revisited, but history pressing forward.

Following the screening, a post-film panel carried the film’s intellectual and cultural weight into live dialogue.

Stage, left to right: Aldon Morris, Rita Coburn, Gerald Griffin, and Regina Taylor.

Rita Coburn, Peabody Award–winning director
Gerald Griffin, artist and owner of the Gerald Griffin Gallery
Aldon Morris, Professor Emeritus, Northwestern University
Moderated by Regina Taylor, actor, playwright, and Black Perspectives co-chair

Aldon Morris, Professor Emeritus, Northwestern University, delivers remarks during the post-screening panel.
Aldon Morris, Professor Emeritus, Northwestern University, delivers remarks during the post-screening panel.
Photo by Dr. Tracey Bond | Splash Magazines Worldwide

Lineage Made Present

A defining moment of the afternoon came with remarks from Jeffrey DuBois Peck, great-grandson of W.E.B. Du Bois, who appeared as a special podium guest of honor.

Special Guest: Jeffrey DuBois Peck, great-grandson of W.E.B. Du Bois, addresses the audience from the podium, with film honor remarks on behalf of the DuBois family at Gene Siskel Film Center Chicago
Special Guest: Jeffrey DuBois Peck, great-grandson of W.E.B. Du Bois, addresses the audience from the podium, with film honor remarks on behalf of the DuBois family at Gene Siskel Film Center Chicago
Photo by Dr. Tracey Bond | Splash Magazines Worldwide

DuBois’ presence was not ceremonial. It was connective. The legacy in question was no longer abstract—it was seated in the room.

A Film That Refuses Avoidance

Coburn’s direction is disciplined and evidence-driven. The film constructs a clear intellectual frame around Du Bois’ life and work.

It does not ask for admiration.

It requires response.

This film, with its rich evidence that Rita Coburn has done such a superior job of pulling together and directing, invites us not only to behold it, but to arrive at a conclusion that is a summons we must answer individually and collectively as humanity.

— Dr. Tracey Bond

Gerald Griffin, artist and owner of the Gerald Griffin Gallery, contributes insightful perspectives to the documentary panel discussion.
Gerald Griffin, artist and owner of the Gerald Griffin Gallery, contributes insightful perspectives to the documentary panel discussion.
Photo by Dr. Tracey Bond | Splash Magazines Worldwide

Du Bois was anything but an avoidant personality. His work was direct, exacting, and rooted in accountability.

An Audience That Understood

The audience reflected the gravity of the moment.

Intergenerational. Attentive. Undistracted.

Regina Taylor, actor, playwright, and Black Perspectives co-chair, moderates the panel discussion: engaging Rita Coburn, W.E.B. DuBois REBEL WITH A CAUSE
Regina Taylor, actor, playwright, and Black Perspectives co-chair, moderates the panel discussion: engaging Rita Coburn, W.E.B. DuBois REBEL WITH A CAUSE
Photo by Dr. Tracey Bond | Splash Magazines Worldwide

W.E.B. Du Bois: A REBEL WITH A CAUSE Premieres May 19, 2026 9|8c as an AMERICAN MASTERS PBS television series.

A sold-out audience engages with the program at the Gene Siskel Film Center.
A sold-out audience engages with the program at the Gene Siskel Film Center.
Photo by Dr. Tracey Bond | Splash Magazines Worldwide

The W.E.B DuBois Documentary is A Must-See, Not a Suggestion

Clarity over comfort.
Responsibility over rhetoric.
Engagement over avoidance.

There was no passive consumption. This was participation. The same question posed in Chicago will meet a wider audience: What will you do with what you now understand?

Final Word

This was not simply a screening.

It was a precise cultural moment.

W.E.B. Du Bois is not behind us.

He remains present.

And avoidance is no longer a credible option.

SOURCE: Splash Magazines